![]() ![]() This is partly because Snail Mail has grown a lot as a project, both in fans and in the direction its music has taken. Oakland had been waiting to see Snail Mail for a long time. At one point, when Snail Mail said this was its first time in Oakland, a voice from the crowd asked, “What did you do today!” And each thing the band did was met with a wave of cheers. The audience was filled with a diverse range of people, from uptight parent-types to curious and giggly preteens. A deceptively simple love song becomes instead a song of self-discovery, strength and independence.Īnd her music is incredibly popular. Her lyrics are frank and to the point, and yet her method of singing them often fills the room with unanswered questions, asking audience members to pause and think what more could be said or unsaid in the space between the lyrics. And this popularity is what sparked a nationwide tour.ĭespite being only 19 years old, Jordan carries an impressive presence on stage, belting her lyrics almost to the point of breaking, but always bridging the gap between vulnerability and resilience. With her first album Lush, released in June of this year, Snail Mail has gotten big. She released an EP in 2016 that saw growing interest in her work. Maryland native Jordan grew up writing and performing songs in the local music scene. During the band’s first time in Oakland, Snail Mail dazzled the crowd with its hard-hitting songs about love, boredom and friendship. Her surprisingly sonorous voice filled the cozy room with powerful melodies. It's an impressive formula for a debut, and one that succeeds whether listeners are tuning in more for the soundscape or more for the sentiment.After two dreamy and lush openers, Snail Mail, lead by Lindsey Jordan, rocked the house at the Starline Social Club on Wednesday night. That's due to not only her lyrics and impulsive style of melodic phrasing, but to the hazy quality of her guitar tones, and the wistful, subtly rich chord progressions that come across like complicated moods. ![]() Even the lusher, more driving tracks like "Pristine" and "Full Control" still feel intimate, though. That opens up space for spare keyboards and anxious rumination. One of a couple exceptions to that is the aforementioned "Let's Find an Out," which has especially light drums and percussion, in contrast to the crashing cymbals of certain other moments on the record. She's joined on most of the album by drums and bass, giving further texture and volume to her own forthright presence. At the end of "Golden Dream," for instance, she rants "Stupid, stupid me" for a cathartic 30 seconds. When it does enter, her vulnerable vocal delivery, combined with vexed lyrics that are both confessional and observational in nature, often sounds like a private, handwritten letter that, once out of her system, she'll immediately crumple up and leave burning in an ashtray. Balancing dreamy, complex chords and seductive melodies on the instrument, songs like "Speaking Terms" and "Let's Find an Out" have the subtle effect of seeming to sing with accompaniment before her voice makes an entrance. While the guitar work is a focal point of her style in general, it regularly borders on mesmerizing on her full-length debut, 2018's Lush. A near-life-long guitarist, she was taking lessons from Mary Timony ( Helium, Ex Hex) around the time she released her first Snail Mail EP as a 16-year-old in 2016. ![]() Singer, songwriter, and guitarist Lindsey Jordan was already a known entity in the Baltimore and D.C. ![]()
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